Archive for the 'media/dance performances' Category
In addition to the characteristic elements of light and sound in his previous works, Hiroaki Umeda’s new piece Holistic Strata introduces a new system built around a key component of ‘physical data’ generated by the dancer’s body movements.
A further leap forward from Umeda’s tried and tested concept of treating light, sound and the human body as equivalent means of expression on stage, Holistic Strata revolves around the body as a complex cluster of information that configures actual spaces. Umeda’s body data (movements of muscles and locomotion coordinates) is manipulated with the help of sensing technology and results in the creation of a scenery that integrates dance, sound, and intensely blinking light. Based on this system of freely generated imagination, Holistic Strata proposes ‘dance’ as a spatial expression, while highlighting the criticality of our perception.
Choreography/Dance: Hiroaki Umeda
Image Direction: S20
Image Programing: S20, Satoru Higa, Yoshito Onishi
System Design: Satoru Higa, Yoshito Onishi
Sound Design: Satoshi Hama (YCAM), S20
Lighting Design: Fumie Takahara (YCAM), S20
Costume Design: Ryoko Katayama
Sensing Engineer: Yoshito Onishi, Richi Owaki (YCAM)
Video Engineer: Richi Owaki (YCAM)
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On 29 September Hiraoki Umada is going to perform Holistic strata at Todaysart festival in Brussels: www.todaysart.org.
Directing: Tatiana Zugazagoitia and Sebastián Castagna
Choreography: Tatiana Zugazagoitia
Music: Sebastián Castagna
Dancers: Tatiana Zugazagoitia, Fátima Nuñez, Ana Clara Flores and Uri Campos Ruiz
Video and trailer production: Jorge Carlos Cortazar
APPARITION is a compelling dance and media performance that successfully uses innovative technology to give dancers the possibility to interact with image and music. Click here to watch a short video.
Klaus Obermaier’s dance/media performances D.A.V.E. and VIVISECTOR have become a world famous thanks to a unique combination of dance and video, but APPARITION goes one step further: sophisticated interactive technology releases the performer from the determination of set choreography and generate the visual content in real-time. The goal was to create an interactive system that is much more than simply an extension of the performer, but a potential performing partner. Computational processes that model and simulate real-world physics create a kinetic space where the beauty and dynamics of the human body and its movement quality are extended and transferred into the virtual world. These two main areas of research, the interactive digital system as performance partner and the creation of an immersive kinetic space, form the artistic framework for APPARITION. (edit from Klaus Obermaier’s website)
Idea, concept, direction, visuals, music: Klaus Obermaier
Concept, interactive design, technical development: Peter Brandl, Christopher Lindinger, Jing He (Ars Electronica Futurelab, A), Hirokazu Kato (Osaka University, J)
Choreographer and performer: Desirée Kongerod, Robert Tannion
Dramaturgy: Scott deLahunta
Realised in the framework of DAMPF_lab, a joint project of Tanz Performance Köln, Animax Multimedia Theater Bonn, V2_Lab Rotterdam, Ars Electronica Futurelab Linz.
“In the center of my work stands the interaction between humans and new technologies/virtual environments. As this is a question of our times and the future, I feel very natural in using and fusing these technologies with performance and hence research the consequences and possibilities that come out of that question. The dance should work on its own, but also seamlessly fuse and interact with the digital environment that inspires dancers for improvisation.” Klaus Obermaier
Amazing art/dance performance from image-MILL.