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Posts Tagged ‘UK
ASTROPHONICA in collaboration with UTILE present the video for Customtone by Fracture&Neptune featuring Martin Fieber to celebrate the launch of their album ‘Retrospect – a Decade of Fracture&Neptune’. The sleeve art for this release will be hand printed and individually numbered by Emilski, it will be available at the end of May 2011.
‘Retrospect – A Decade Of Fracture & Neptune’ is an 18 track, digital LP that brings together the classic, always cosmic, Fracture&Neptune sound from the year 2000 up to the current date. Some released faves, some unreleased, some brand new and some unheard tracks from the vaults! All wonderfully remastered by Bob Macc and sounding better than ever.
Design and animation by Emilski & Nick Duggins for UTIL
Music by Fracture&Neptune at astrophonica.com
Taking their name from a British euphemism for imminent doom, The Black Dog (also appearing variously as Black Dog Productions, Balil, Xeper, and Plaid) formed in the early ’90s as the trio of Ken Downie, Ed Handley, and Andy Turner. Forging a challenging, relentless combination of early techno, electro and hip-hop with a penchant for odd time signatures, high-tech atmospherics and Egyptian iconography, the group immediately distinguished itself from the scores of disposable techno musicians covering familiar ground in the post-rave U.K. electronic music scene. Something of a closet phenomenon attracting the devotion of DJs who nonetheless refused to play their complicated brew for fear of being booed off the decks, The Black Dog were immediately placed in the emerging “intelligent techno” category upon the release of their full-length debut Bytes. A largely U.K.-media constituted phrase meant to peg music involving dance music compositional styles nonetheless intended for home listening, the term has since taken hold and is often applied to groups like Autechre, Aphex Twin, µ-Ziq and As One.
Click on waveform to listen to Virtual (1989, Black Dog Productions)
As Plaid, Ed Handley and Andy Turner had already released a handful of material (including an album) prior to meeting Downie, but their time spent in B.D.P. was their most productive up to that point. In addition to their inclusion on the perhaps more high-profile Artificial Intelligence compilations on Warp label and remixes for the likes of Björk, Blondie, UNKLE and Ned’s Atomic Dustbin, they also released several full-length works as a group before Handley and Turner defected in 1995 to refocus on Plaid full-time. The pair released an EP on the Clear label in mid-1995 and issued their first full-length Not for Threes two years later on Warp. Downie continued on with the Black Dog name, releasing the full-length Music for Adverts (And Short Films) in 1996. In 2002 Downie collaborated with Parisian spoken word artist Black Sifichi on the William S. Burroughs tribute Unsavoury Products and the Downie/Sifichi pairing was given the remix treatment on the following year’s Genetically Modified. Downie resurfaced in 2005 with Martin and Richard Dust releasing the strong albums Silenced (2005), Radio Scarecrow (2008), Further Vexations (2009) and Music for Real Airports (2010), a pointed response to Brian Eno’s Music for Airports, designed to “reinforce the false utopia and fake idealism of air travel.” During this period of heavy activity, the Scottish label Soma also compiled early Black Dog material for the two-disc set Book of Dogma. (written by Sean Cooper)
More info on The Black Dog’s career details on wikipedia.org.blackdogproductions. Their complete discography is listed on Discogs, where some vinyl copies are available for sale, digital downloads are available from duststoredigital.com. For the latest follow up check their Facebook page
Click on image to listen to End of time from the album Spanners (1995, Warp)