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A selection of pages from The Ghost In the Underblows published in 1940 by The Ward Ritchie Press in Los Angeles. The book is an illustrated epic poem by Alfred Young Fisher with an introduction by Lawrence Clarke Powell and graphic design by Alvin Lustig.
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We are what we share: pinterest.com/brancolina
design: Jorge Zarco Villarosa
photo: ©brancolina
Four selected pages from Motivo y variación sobre el fortuito encuentro con Thomas Bernhard, a theater play that is freely based on Thomas Bernhard’s texts On the mountain (1959), Yes (1978), Extinction (1986) and Wittgenstein’s nephew (1982). Concept, design and cover photo by Fernando Prats, prologue by Oriol Espinal, English version by Emilia Cavecedo, additional assistance by Alicia Pallas and Rivera Valdez. The first version of this text was performed in Buenos Aires in July 1999:
actors :: Eleonora Mónaco, Alejo Recalde, Sony Báez, Fernando Prats
original music :: Sony Báez & Fernando Prats
assistant director :: Mónica Castaño
performing director :: Eleonora Mónaco
general director and dramatist :: Fernando Prats
This book has been awarded for graphic design by DESIGN AND DESIGN, it is featured in their compilation of the best awarded works The Book of the Year Vol 2. It is also available in printed version and as a file download via Lulu publishers: ISBN 978-1-4092-1550-9
Animated typography by calango.nl
Studio Smack is a collective of young artists searching for new esthetics and concepts. Commissioned by the De Beyerd Museum three young graphic designers, former students of AKV/St. Joost, Ton Meijdam, Thom Snels & Béla Zsigmond, made a film about legible signs in town. The typo-animation Kapitaal (Capital) is an impression of the enormous amount of visual stimuli that plague us every day. The amount is so big that its commercial effectiveness has become utterly dubious.
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RECOMMENDED TO VIEW ON FULL SCREEN AND IN THE DARK ROOM.
it is what it is 
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